Tag Archives: Wasp Summer

Mitropa, Mitropa

26 May

The new Wasp Summer album cometh

In February, Simon and I started recording the second Wasp Summer album. In previous letters, you read about Wasp Summer’s history, so you know that this is our first album as a band. The name Mitropa comes from a railway company that ran sleeping and dining cars across Central Europe from 1916-1994.

The new songs are muscular and outward-looking. Living and touring in Mitteleuropa has definitely influenced the themes and the tempo of the songs. Imagine long journeys through the night between one mysterious metropolis and another. That’s what this album will sound like.

We recorded over three days at Pebble Music’s studio in the old DDR Rundfunk Buildings in Köpenick, working with drummer Romain who plays with Elyas Khan and the 17 Hippies.

Go here to Soundcloud if you want an idea of what the new songs sound like.

See you at a show. If you want to chat, Wasp Summer is on Twitter or Facebook.

Under The Influence

28 Apr

Apart from buying us drinks, music is the best way to know musicians, so here are some albums that are important to us as musicians and people.

To make it easy to share, we’ve posted these lists on YouTube and Spotify. If you’d prefer these lists in another format, or on another service, just leave us a message below, and we’ll try to arrange it.

Simon and I each have a story about an album that was crucial to us starting our first bands.

Simon’s Influences
YouTube Playlist
Spotify Playlist
I met a friend of mine and started a band because I was the only person in the area with a Black Flag LP. I can remember our first gig when we were just 15; the local gang grabbed the lead singer and told him ‘If you guys suck, we’re gunna punch the shit out of ya!’ We knew three songs. We played them three times. Nobody seemed to mind. We didn’t get beaten up. The kids at that party were throwing flagstones at the cops as we loaded out into my Mum’s car. At the next gig, someone turned up the RHCP’s ‘BloodSugarSexMagic’ record to try and drown us out. Then they started throwing stones at us.

The guitar player, Paul Dempsey, went on to found (successful Australian rock band) Something For Kate. People don’t throw stones at him anymore. Except me. I chuck a good sized rock at that lanky motherfucker every chance I get. Just to remind him of his roots and that good rock and roll never comes easy.

Samantha’s Influences
Youtube Playlist
Spotify Playlist
The albums that made me want to be in a band were Transvision Vamp’s Pop Art and Faith No More’s The Real Thing. At my school, there were two types of popular girl: surfer’s girlfriends and rough netballers. Two of the latter knocked on my door one afternoon. I was worried. “We heard you got that Faith No More album.” “Er… The Real Thing. Yes.” I was confused.

“Make us a copy?” one said, handing me a blank cassette. Before this, being a music nerd had only won me insults and my circle of metalhead friends. I could do this and might not get beaten up either. I’d been into the band for a year, but then in mid-1990, ‘Epic’ was number 1 in Australia. As I only had a simple cassette deck, we listened to the whole album as I dubbed it, with me pointing out the cool bits. “What’s this classical shit?” Weirdly, they’d never noticed the piano outro at the end of ‘Epic’. They nearly left. “Nah,” I corrected, “It’s where the goldfish is dying at the end of the video.” “Oh, alright,” they said, and stayed patiently until their cassette was finished.

If you sign up for our newsletter, Simon and I will tell you about our first attempts at songwriting. Sign up for the newsletter here: http://eepurl.com/rO3db

Bis gleich,
Samantha and Simon
Wasp Summer

Wasp Summer Australian Tour Gallery Part 2

23 Jan

Hallo Dearhearts,

Here is part 2 of Wasp Summer’s Australian Tour gallery, spanning Melbourne to Brisbane to Meredith Music Festival. In these photos, I had a magic time with the following amazing people: Damian, SJ, Ari, Cam, Tams, Sally, Chez, Naz, Phil, Nicho, Bek, Patrick and Lisa. x

Wasp Summer Australian Shows 2014

9 Oct Wasp Summer tour poster 2014. Coming to a club near you!

Earlier this year, I got an email out of the blue from Geoff, the Editor of Going Down Swinging, the long-running and innovative Australian journal of poetry, writing, graphic novels and art.

He requested that, for one night, we reform Sean M. Whelan and The Mime Set, the 2005-2008 collaboration between my former post-rock band and one of Australia’s best spoken word performers. They had funding to fly me back to Melbourne from Berlin for the show. I actually cried.

So, Sean M. Whelan and The Mime Set will perform their One Night Wonder on Friday 28 November, 2014 at the Mission To Seafarers Chapel in Docklands, Melbourne. Click here for tickets. We’ve also picked up a Canberra show on Sunday 30 November, for the Bloody Lips night held at New Acton.

Sean M. Whelan & The Mime Set
Friday 28. November – Mission to Seafarers, Melbourne
Saturday 29. November – Bloody Lips @ New Acton, Canberra

And while I’m in the country, why not show people what Wasp Summer’s been working on in Berlin? So I’m organising solo Wasp Summer gigs in Victoria and Queensland. Here are the confirmed dates.

Wasp Summer
Thursday 20. November – The Old Bar, Fitzroy, Melbourne
Friday 21. November – The Eastern, Ballarat
Saturday 22. November – The Bridge, Castlemaine
Friday 5. December – Couplet @ Brisbane Square Library, Brisbane
Wednesday 10 December – Skukum Lounge, Brisbane


Album review by Slapped For The Very First Time

7 Oct

Slapped For The Very First Time posted an unexpected and really lovely and review of the first Wasp Summer record, Close As A Slow Dance. Thank you, Espen. “…there is a voice – both literally and musically – shining through that seems capable of winning you over with an even more distinct identity of its own come the next release.”


Last Berlin shows for 2014

1 Oct

Wasp Summer by Kate Seabrook

Wasp Summer has three gigs Berlin gigs coming up in October and November, the last before the Wasp Summer Australian shows.

Sunday 19 October at 14:00, Sam is doing a solo show at Donau 115‘s Donaufrühstück, If you’re Sunday Mornin’ Coming Down, this concert series presented by Cow Hearts and curated by the amazing Emperor X is for you.

Friday 31 October at 21:00, Sam and Simon are playing a Wasp Summer duo Halloween special at Moabit’s best Musik Lokal, Kallasch &.

Thursday 6 November at 21:00, Wasp Summer present their first full-band show with new drummer Ben Johnson (that’s him on the right above ^^) in a live recording at Culture Container.

This excellent band photo, in Ben’s rehearsal space, was taken by Kate Seabrook Photographer.

Running Up That Hill

7 Feb

How is your Winter/Summer progressing? All is well in the Wasp Summer camp. We are working towards recording our second album, tentatively entitled Mitropa. I have to write a couple more songs but the ten we have are sounding really strong. You can hear four demos here.

Running Up That Hill compilation

Running Up That Hill; Kate Bush Covers for Reproductive Rights

compilation to fund reproductive rights organisations in the USA

Wasp Summer covered a Kate Bush B-side called Under The Ivy for a wonderful compilation called Running Up That Hill: Kate Bush Covers for Reproductive Rights that was launched on Bandcamp on February 4, 2014.

It is as it says on the box and sales support US-based pro-choice organisations, most located in politically conservative US states where women’s rights have been threatened. If you buy songs or the whole compilation from Bandcamp, you support the printing of download cards that are given free to the selected organisations who can then sell them to directly raise funds.

Artists including Nona Invie from Dark Dark Dark and Karl Blau have contributed tracks. Kate Bush (via her manager) has given her blessing.

Upcoming Gigs

We have a bunch of Berlin shows coming up over starting on February 20. Come along and hear the new songs. More news about European Summer tours, the single/album launch dates and other shows soon.

Wasp Summer
w/ Ryan O’Reilly (UK) + Redvers (UK)
Donnerstag 20. Februar
Marie Antoinette
Bogen 47, Holzmarktstr.15-18
10179 Berlin-Kreuzberg
20:00. 5€
Fb Event

Wasp Summer
w/ The Fever (US)
Freitag 21. März
Madam Claude
Lübbener Straße 19
10997 Berlin-Kreuzberg
21:00. 3-7€

Wasp Summer
Freitag 11. April
w/ guests
Laskerstraße 5
10245 Berlin-Friedrichshain
(nr. About.Blank/Ostbhf)
21:00. 3-7€

Wasp Summer (duo)
w/ Remarkable Shipwrecks + Eamon McGrath
Freitag 2. Mai
Ex-LG Security
Donaustr. 115
12043 Berlin-Neukölln
20:30. By donation.

Sam Wasp Summer

Mitropa Mini-Tour EP Giveaway

21 Oct

To celebrate the two shows Wasp Summer is playing in Bratislava and Budapest, we are giving away our four new demos for free download as the Mitropa EP. You can download them from Soundcloud.

We are looking forward to the food, the hat shopping, the overnight trains, the new friends, the new cities, the new clubs and bars, the old towns, the spas and saunas and the beer. For both shows, Wasp Summer is playing as a duo. Here are the details.

October 23 – British Rock Stars, Nám. 1. mája 14, Bratislava Slovakia w/ Silverspoon and Hell’s Gang 20:00. 3€.
Facebook Event. Couchsurfing Event.

October 24 – Gólya, Bókay János utca 34., Budapest, Hungary. 20:00. Entry by donation.
Facebook Event. Couchsurfing Event.

Inspiration from The Wasp Woman

18 May

On this, Eurovison Final Day, my vegetables and flowers are healthy on the balcony, someone is playing Debussy figures downstairs in the music school and my head is a-whirl with plans.

My friend (and soon to be collaborator in an Alt.Country musical) Jason, found this fantastic movie poster for my birthday. The Wasp Woman is a Roger Corman B-Movie from 1959 about a cosmetics mogul and badass who takes wasp royal jelly serum to become fabulously youthful.
Let’s overlook the gaping scientific flaws in the film’s premise and the thematic rip from The Fly, but when I saw this, I felt fabulously badass too.

It’s good timing because I’m working on the production notes for some new full-band recordings. Next month, we get to test out some cool DDR microphones in a new studio set-up. If the collaboration works, we’ll be making the new WS album as my annual Winter Project.

I often use visual inspiration to help me set the stylistic tone for a new project. The Wasp Woman‘s noir-ish colour scheme, melodrama, feminine force and, of course, the overt wasp theme, is a helpful focus point while I work on the sounds I want on guitar and from Simon’s bass and Stu’s drums.

Storyboard for 'Close as a Slow Dance'My first record, Close as a Slow Dance, was deep pomegranate, black and dusky earthen colours. Perfectly appropriate for the alt.country folk on the disk.

I’ll take down the old album’s collage storyboards on my wall and start making new ones while I work on the sounds I want on guitar and from Simon’s bass and Stu’s drums – more fuzz, more muscle, more groove. You can hear my home demo for new song Burning here to give you an idea.

While the Summer looks incredibly busy, Autumn and Winter are going to be digging-in time writing the rest of the songs that will make up the album, playing more with the band and finally learning more German.
Enjoy the melodrama of Eurovision and hopefully we’ll meet in a smoky basement somewhere and share some new songs.

Sam Wasp Summer

April Wasp: strange little girls

9 Apr

I’ve got a bunch of gigs coming up with Wasp Summer! They’re all listed on the Concerts page. Have a look!

But this Thursday, I’m playing at Kugelbahn in Wedding with Salon Band, great Berlin musical guns-for-hire. Salon Band host a monthly event where they invite and accompany guest singers. They picked three songs from my album – Dancehall at Louse Point, I Hope You’ll Mend and No Time For Compliments Now and asked me to pick three more cover songs. I chose Randy Crawford’s jazz-pop classic One Day I’ll Fly Away (you’ll be hypnotised by Ms. Crawford’s teeth), The Motels’ simmering Total Control (a hit only in France and Australia) and 60’s stomper Tobacco Road (which I’m approaching in a Tina Turner/Small Faces kind of way).

I’ve worked on “owning” these three songs – interpreting them, rather than just singing the melody and phrasings I know so well. In singing them carefully alone and with the band, I realised they’re actually weirdly structured. I had an epiphany about my songwriting – since I was a kid, I’ve always been drawn to songs where the form is dictated by the lyrics and melody, rather than creating a perfect chord progression and constructing/cramming the story into it. Perhaps, other people’s favourites amongst the songs I have written are the classically formed ones – even rhyming patterns, even line lengths, symmetrical structure. But my favourites are the bent and winding songs, the one-eyed songs, the crooked and eccentric songs with two verses at the top, one refrain and a long outro for a tail – my strange little girls.

The three songs I chose sound straight on the surface, but have a kooky, emotional view of their subject (getting over lost love, desire, and what the Germans might call Heimathassleibe), and structures – the length of verses, where and what the bridge sections do, etc. – designed (consciously or unconsciously) to emphasise the emotion/story the writer wants to tell.

I’ve often had bandmembers and arrangers ask, “Did you know there’s half a bar of 3/4 there?” or “What a weird keychange. Did you mean to do that?” or “Did you want 10 beats in that section?” or “Can we straighten this bit out?”. To which the answers are really?, yes, yes and no.  It just sounds normal to me because I “count” the song by lyrics and phrasing, not chord structure or bar numbers. Writing my charts isn’t straightforward. And the songs go how they go because that’s how they go. I don’t try to be dumb about it and I do edit my work, but if a song has an intrinsically strong melody or lyric, or keychange or structure, the only criteria are “Does it feel authentic to me?” and “Does it sound good to me?” If I play it in public, the answer is yes.

If you have any questions or comments, feel free to email me back at waspsummer@gmail.com.