Inspired by that facebook game where you list 10 important albums, I realised that many of my favourite albums are not the ones that shaped my music or songwriting directly.
I want to explore the albums that changed how I thought about my practice as a singer and songwriter, and that are direct influences on Mitropa, the Wasp Summer album I’m currently making.
Number 2 must be Talk Talk’s avant-jazz-rock masterpiece ‘Laughing Stock’.
Talk Talk’s final album Laughing Stock is an entirely appropriate album to come after the Cocteau Twins. Another record that nails the balance between melodic beauty and noise, sung in glossolalia and with the most amazing sense of space.
The track Ascension Day is actually super important to the writing that went towards the next Wasp Summer album, and I have Chris Chapple to thank for the introduction. I can still see the scene, bathed in beeswax-yellow light, in his old St. Kilda living room as The Mime Set gathered for a rehearsal/writing session for our second album.
It may have been the same night I cried behind the door as we ran an early version of Honey O, and Andrew gently asked if I wanted my lyrics to be that nakedly honest. Yes, I do. Always.
That’s the thing about this album. It’s achingly truthful. I can make out words here an there, but even through abstractly-sung text, the emotional through-line of this album is pure and true.
Even though the album was painstakingly assembled collage-style from over 7 months of improvised recordings, this album is honest and brutal and true.
Released on the Verve jazz label, it’s more akin to jazz than the glossy, clever pop they made before, but also lays the foundation for post rock, a territory, along with dream pop, that I spent a good part of my 20s travelling.
To make music where “The record was “only complete” when the band’s Mark Hollis felt each guest musician had “expressed their character and refined their contribution to the purest, most truthful essence,” is the dream, isn’t it?
Check out my crucial album #1: Cocteau Twins ‘Heaven or Las Vegas’
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