Tag Archives: new music

Under The Influence

28 Apr

Apart from buying us drinks, music is the best way to know musicians, so here are some albums that are important to us as musicians and people.

To make it easy to share, we’ve posted these lists on YouTube and Spotify. If you’d prefer these lists in another format, or on another service, just leave us a message below, and we’ll try to arrange it.

Simon and I each have a story about an album that was crucial to us starting our first bands.

Simon’s Influences
YouTube Playlist
Spotify Playlist
I met a friend of mine and started a band because I was the only person in the area with a Black Flag LP. I can remember our first gig when we were just 15; the local gang grabbed the lead singer and told him ‘If you guys suck, we’re gunna punch the shit out of ya!’ We knew three songs. We played them three times. Nobody seemed to mind. We didn’t get beaten up. The kids at that party were throwing flagstones at the cops as we loaded out into my Mum’s car. At the next gig, someone turned up the RHCP’s ‘BloodSugarSexMagic’ record to try and drown us out. Then they started throwing stones at us.

The guitar player, Paul Dempsey, went on to found (successful Australian rock band) Something For Kate. People don’t throw stones at him anymore. Except me. I chuck a good sized rock at that lanky motherfucker every chance I get. Just to remind him of his roots and that good rock and roll never comes easy.

Samantha’s Influences
Youtube Playlist
Spotify Playlist
The albums that made me want to be in a band were Transvision Vamp’s Pop Art and Faith No More’s The Real Thing. At my school, there were two types of popular girl: surfer’s girlfriends and rough netballers. Two of the latter knocked on my door one afternoon. I was worried. “We heard you got that Faith No More album.” “Er… The Real Thing. Yes.” I was confused.

“Make us a copy?” one said, handing me a blank cassette. Before this, being a music nerd had only won me insults and my circle of metalhead friends. I could do this and might not get beaten up either. I’d been into the band for a year, but then in mid-1990, ‘Epic’ was number 1 in Australia. As I only had a simple cassette deck, we listened to the whole album as I dubbed it, with me pointing out the cool bits. “What’s this classical shit?” Weirdly, they’d never noticed the piano outro at the end of ‘Epic’. They nearly left. “Nah,” I corrected, “It’s where the goldfish is dying at the end of the video.” “Oh, alright,” they said, and stayed patiently until their cassette was finished.

If you sign up for our newsletter, Simon and I will tell you about our first attempts at songwriting. Sign up for the newsletter here: http://eepurl.com/rO3db

Bis gleich,
Samantha and Simon
Wasp Summer

Running Up That Hill

7 Feb

How is your Winter/Summer progressing? All is well in the Wasp Summer camp. We are working towards recording our second album, tentatively entitled Mitropa. I have to write a couple more songs but the ten we have are sounding really strong. You can hear four demos here.

Running Up That Hill compilation

Running Up That Hill; Kate Bush Covers for Reproductive Rights

compilation to fund reproductive rights organisations in the USA

Wasp Summer covered a Kate Bush B-side called Under The Ivy for a wonderful compilation called Running Up That Hill: Kate Bush Covers for Reproductive Rights that was launched on Bandcamp on February 4, 2014.

It is as it says on the box and sales support US-based pro-choice organisations, most located in politically conservative US states where women’s rights have been threatened. If you buy songs or the whole compilation from Bandcamp, you support the printing of download cards that are given free to the selected organisations who can then sell them to directly raise funds.

Artists including Nona Invie from Dark Dark Dark and Karl Blau have contributed tracks. Kate Bush (via her manager) has given her blessing.

Upcoming Gigs

We have a bunch of Berlin shows coming up over starting on February 20. Come along and hear the new songs. More news about European Summer tours, the single/album launch dates and other shows soon.

Wasp Summer
w/ Ryan O’Reilly (UK) + Redvers (UK)
Donnerstag 20. Februar
Marie Antoinette
Bogen 47, Holzmarktstr.15-18
10179 Berlin-Kreuzberg
20:00. 5€
Fb Event

Wasp Summer
w/ The Fever (US)
Freitag 21. März
Madam Claude
Lübbener Straße 19
10997 Berlin-Kreuzberg
21:00. 3-7€

Wasp Summer
Freitag 11. April
w/ guests
Tiefgrund
Laskerstraße 5
10245 Berlin-Friedrichshain
(nr. About.Blank/Ostbhf)
21:00. 3-7€

Wasp Summer (duo)
w/ Remarkable Shipwrecks + Eamon McGrath
Freitag 2. Mai
Ex-LG Security
Donaustr. 115
12043 Berlin-Neukölln
20:30. By donation.

Cheers,
Sam Wasp Summer

New Song: Burning

23 Mar Wasp Summer at Schokoladen, Berlin

I think this is probably the best demo I’ve ever made. I am really digging the harmonies – they’re so tense, tight and quietly dramatic. This song points to the new direction I’m taking Wasp Summer in, especially now I have the three-piece band with bassplayer Simon Morrison (Remarkable Shipwrecks, Dead Sentries, ex-Assassination Collective) and journalist/drummer Stuart Braun (ex-Dust) – sexier, looser, less folk and more rock, noisier. I’m fronting a band on guitar for the first time. It’s exhilarating.

Here’s Burning:

Our Old Oblivion shoebox theatre film clip

4 Jul

Our Old Oblivion (test video 1) from WaspSummer on Vimeo.

After yesterday’s post, I took some test footage of my shoebox theatre using candles for backlighting and Thai ball lights and a bicycle light for front lighting. This is the 2nd edit. I’d appreciate feedback on my experiments and how to do this better.

I have written video treatments for 2.5 songs from my debut album (see sidebar to hear the tracks!) but I have no budget to have a film clip made. When I was a kid, my Dad obtained books where you cut out and glued together your own scale model cardboard theatre and Victorian house. I couldn’t bear to cut the books up, but it stayed in my mind.

When I thought about making this filmclip, Our Old Oblivion, in particular, I thought shoebox theatre format would be easy enough to do and tell the story without being ultra-literal, so I’ve made the set (a dirty, cheap motel) and my cast (the ‘I’ in the song, the ‘he’ in the song and ‘his’ ‘friends’ out of cardboard, gaffa tape, tracing paper, pencil, black card and photocopies.

What do you think? I’d love some feedback on my test clip.

Album Launch #1 Wrap-Up

5 May

The album launch last night was lovely! A full room of enthusiastic listeners at Heroes bar in Neukölln. I played well, I think. I felt ‘there’ from the first song. Bliss. And proof I’ve become a competent, if idiosyncratic, guitarist. God I love my capo and ’65 Fender Deluxe pedal. I’ll post some photos in the next few days.

Crammed into the bar’s toilet, Krista Krull from radio show Green Tea Berlin came down and did an “On the Road” interview with me before the show and recorded part of the soundcheck. Efficiently, she edited it down overnight and posted it this morning. Here it is:

And for the many people who commented on the slow-jam version of my album track ‘I’m Going Mining’, here’s a stream of the song:

You and I, we’re as close as a slow dance

3 May

Dearhearts,

I am finally here. At this moment. It feels a little like taking acid because I’ve wanted it so long that it’s become quietly surreal. It’s unimportant why it took so long, just that it’s done. I’m really happy about it.

After a year of dreaming about sounds and visual inspiration, mixing, discussing the artwork on Skype, researching online sales options and various phonecalls to the pressing plant; after failing to find out why GEMA (Germany’s APRA) wants to charge me to make my own record; after all the fun bits – recording in Italy, the photoshoot, the production notes and songwriting, my lovely rootsy songs, products of my work since 2002, are finally in shareable form. I would describe it as Alt.Country Folk and will say that it was inspired by Martha Wainwright, Neko Case, Patsy Cline and Wanda Jackson amongst others.

Tomorrow, my first solo album ‘Close as a Slow Dance’ (through A Headful of Bees) goes live into the world on CD Baby and Bandcamp with pretty digipack CDs to follow next week.

 

Please, have a listen to the album on Soundcloud, share with friends, buy it if you haven’t already pre-ordered (IndieGoGo funders, rejoice – they come, and with it, further gifts!). Curiously, ‘gift’ auf Deutsch means ‘poison’, but no poison here.

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THANK YOUS
There are many, many people to thank for inspiring, working on or funding ‘Close as a Slow Dance’. Some to start, Mark Steiner for the connections and confidence, Henry Hugo for his production, thoughtful arrangements, contacts and generosity, Marcelo and Toto in Buenos Aires for the final sound, Mum for her good wishes, support and rent assistance, Damian Stephens (design), Jan Bechberger (photos) and Elizabeth Delfs (styling) for the lovely artwork you’re seeing, Susanne at Interdisc who shows such care for her clients’ CDs, Sascha, Dam, Justin and Darren for inspiring the songs, Michelle, Nicho, Chez, Naz and Lena – my Council of Ladies who always counsel courage, and those who, knowingly or not, gave a well-timed wise word to inspire this album – David Creese, Julitha Ryan, Sean Simmons and Bron Henderson, Andreas Lautwein, Cameron Wilson, Eric Eckhart, Matthew Barker, Ola Karlsson, Ben Revi, Jen Hval, Sean M. Whelan, Emilie Zoey Baker and Guy Dale. And the musicians who were so kind and surprised me with what the songs could be: Fabio Gallarati, Stefano Caldonazzo, Paolo Zangara, Vicki Brown, Henry Hugo, Leigh Ivin and Julitha Ryan.

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SHOWS
I’m doing two album launches, a club show at Heroes in Neukölln on International Star Wars Day – Friday May the Fourth – and a special Sofa Salon house concert/birthday fest at my place on Friday 11 May. Email berlinsofasalon [aet] gmail.com for reservations.

Plus I’m doing house concerts and club gigs across Germany and France through late May and June and a whole heap of Summer gigs. If you would like to host me for a house concert, email waspsummer [aet] gmail.com. Those folk who bought Skype or House Concerts, I will be in touch in the next week or so.

Links:
Soundcloud (listen)
Bandcamp (buy)
waspsummer.com (info)

Dancehall at Louse Point

5 Apr

New, free single download

I am so delighted to be able to bring you Dancehall at Louse Point, the first single from my debut solo record Close as a Slow Dance. In Gold Coast parlance – I’m stoked as! No, it wasn’t named for the PJ Harvey/John Parrish album per se, but the song was always called Dancehall and the ‘at Louse Point‘ just seemed so appropriate to the theme of a Fifties dancehall singer trying to get over a louse who broke her heart. Please have this free Bandcamp download to help me celebrate the record.

Single launch

Tonight, I play the Berlin launch show at Laika (Emser Str 131, Neukölln) with another ex-pat Australian, Jason Kenny, who launches his album Fugitive. Doors at 19:30. Music at 20:00. I’m on at 21:00. The after-party is at Bethanien in X-Berg.

Album launches – May the fourth be with you!

I’m doing two Berlin album launches, a club show at Heroes in Neukölln on International Star Wars Day, Friday 4 May AND a special Sofa Salon house concert at my place on my birthday Friday 11 May.

Plus I’m doing house concerts and club gigs across Germany and France through late May and June and a whole heap of Summer gigs. If you would like to host me for a house concert, email waspsummer [aet] gmail dot com

Music that moved me in 2011- Part Two

8 Jan

Part 2 of my music of 2011.

Brian CampeauReinventing Myself from Mostly Winter Sometimes Spring
I heard Brian’s music for the first time this year. And fell hard for this track in particular. The Sydney-based Canadian is in possession of the most heavenly male voice since Jeff Buckley and the music on this track is somewhat akin to the pastoral folk of Fleet Foxes but with more emotionally pointed lyrical content. He plays with Elana Stone in The Rescue Ships – a fantastic pairing.

David Creese – When You Were A Man from When You Were A Man
David is, in my opinion, one of the finest lyricists in Australia, making delicate, minutely observed, dark and often darkly witty vignettes. From behind the drums, David fronted one of my all-time favourite Australian bands, The Dumb Earth. Late in 2010, he released a solo album under his own name and on it, David’s warm, vernacular voice and the exquisite musicians with whom he shares his songs created beautiful and, in places, devastating music.

 

Mute SwimmerSong Against Itself from Mute Swimmer album
Guy’s my favourite songwriter in Berlin at the moment, and he’s got hard competition. During the year, I saw his live performances get more compelling and heard his minimalist folk become a revealing exploration/satire of the process of making music and performing. The songs are intelligent earworms, and he’s a lovely man.


Big Strong Brute
You Were Always Right from We Can Sleep Under Trees in the Morning
Paul played a Sofa Salon club show for me in Berlin and I played an awesome backyard show with him in Brisbane. Both times, I was absolutely taken at how, while you’re lulled by his conversational tone and the songs’ sparse melodic structures, his clever, yearning lyrics sneak up and belt you over the back of the head. This song, from BSB’s 2010 EP reminds me of 90’s RooART compilations. In a good way.

Hans UnsternTief Unter Der Elbe from Kratz Dich Raus
I don’t know much about Hans Unstern. I haven’t seen him live yet, but this song was one of the great Ohrwürmer of my 2011. I’ve been in the Hamburg river tunnel that goes deep under the Elbe and, while it was interesting in the same geeky way as the Rathaus Schöneberg Paternoster (see video below), it wasn’t quite as moving an experience as this lovely song always is.

Music that moved me in 2011, Part One

18 Dec

2011 has been an intense and revealing year personally and politically. Fulfilling my promise to myself, I finally made a solo record and toured Europe this year. Companions on my journey were the intense and revealing visions of women like PJ Harvey (on Let England Shake), Kate Bush’s many voices (on 50 Words for Snow) and Kimbra (Gold Ring from Vows).

But I’ll highlight some of the underground music I’ve been exposed to for the first time in 2011. All of it has given me grist and inspiration. Click on the artist name for their website and the song name for a place you can listen, download and/or buy.

Sailor Days – Species Counterpoint from Sailor Days
Biddy came and played a Sofa Salon in Berlin for me this year, performing with Ned Collette. I had the pleasure of singing Laura Jean‘s vocal parts on three songs. This record is meditative, creatively textured and absolutely beautiful to hear. Probably the underrated album of 2011 for my money and something I hear often on my mental radio.

Jenny Hvalblood fight from Viscera
Jenny, from Oslo, is one of the genuine live-and-breathe explorational musicians, whom I met in Melbourne when she was with Folding For Air/ipanic. On tour, Matty B and I saw her at the Operahuset playing an hypnotic piece she’d composed for a dance performance. She’s moved way beyond sensual experiments in pop to blisteringly original heartsong driven by her inventive guitar and keening voice.

El MadrigalHow Can I Miss You from Statistics
So many songs to choose from on this bitey roots rock record. This year, I had the great pleasure of sharing a stage with El Madrigal twice in Stockholm and seeing them again in Berlin. Ola Karlsson played and wrote with Brisbane’s country rock stalwarts The Gin Club and retains his musical soul, intellect and authenticity here. He’s got an incredible ear as a lyricist, musician and singer and has added two great, empathetic co-writers and musicians in  Eric Lindstrom & Tomas Sundin.

The Unthanks – the Testimony of Patience (from 2009)
This Northumberland folk group inhabit an out-of-time musical space, mining bedrock sounds and stories and bringing them up to us without a hint of dust, fust or the creak of age. The song link is a Guardian video. Their new album celebrates Robert Wyatt and Antony & The Johnsons.

The Gypsy CurseMaydelle from Ten Years North
I spent a weirdly synchronous six weeks over Summer touring Northern Europe with Matty Barker from The Gypsy Curse in his solo guise as Water Music. Introduced online by Mark Steiner, we had both come a long way to be ready to play our music and were rewarded with kindness, time in twenty-two cities, incredible people, astonishing evenings and enough food for our souls to make what followed possible. What followed for him was getting married to the lovely Beth in New York, recording The Gyspy Curse album in a cabin in Sweden and a sabbatical in Texas. They’re playing in Australia now and Europe in 2012. You should really see them.