Tag Archives: Dancehall at Louse Point

April Wasp: strange little girls

9 Apr

I’ve got a bunch of gigs coming up with Wasp Summer! They’re all listed on the Concerts page. Have a look!

But this Thursday, I’m playing at Kugelbahn in Wedding with Salon Band, great Berlin musical guns-for-hire. Salon Band host a monthly event where they invite and accompany guest singers. They picked three songs from my album – Dancehall at Louse Point, I Hope You’ll Mend and No Time For Compliments Now and asked me to pick three more cover songs. I chose Randy Crawford’s jazz-pop classic One Day I’ll Fly Away (you’ll be hypnotised by Ms. Crawford’s teeth), The Motels’ simmering Total Control (a hit only in France and Australia) and 60’s stomper Tobacco Road (which I’m approaching in a Tina Turner/Small Faces kind of way).

I’ve worked on “owning” these three songs – interpreting them, rather than just singing the melody and phrasings I know so well. In singing them carefully alone and with the band, I realised they’re actually weirdly structured. I had an epiphany about my songwriting – since I was a kid, I’ve always been drawn to songs where the form is dictated by the lyrics and melody, rather than creating a perfect chord progression and constructing/cramming the story into it. Perhaps, other people’s favourites amongst the songs I have written are the classically formed ones – even rhyming patterns, even line lengths, symmetrical structure. But my favourites are the bent and winding songs, the one-eyed songs, the crooked and eccentric songs with two verses at the top, one refrain and a long outro for a tail – my strange little girls.

The three songs I chose sound straight on the surface, but have a kooky, emotional view of their subject (getting over lost love, desire, and what the Germans might call Heimathassleibe), and structures – the length of verses, where and what the bridge sections do, etc. – designed (consciously or unconsciously) to emphasise the emotion/story the writer wants to tell.

I’ve often had bandmembers and arrangers ask, “Did you know there’s half a bar of 3/4 there?” or “What a weird keychange. Did you mean to do that?” or “Did you want 10 beats in that section?” or “Can we straighten this bit out?”. To which the answers are really?, yes, yes and no.  It just sounds normal to me because I “count” the song by lyrics and phrasing, not chord structure or bar numbers. Writing my charts isn’t straightforward. And the songs go how they go because that’s how they go. I don’t try to be dumb about it and I do edit my work, but if a song has an intrinsically strong melody or lyric, or keychange or structure, the only criteria are “Does it feel authentic to me?” and “Does it sound good to me?” If I play it in public, the answer is yes.

If you have any questions or comments, feel free to email me back at waspsummer@gmail.com.

Cheers,

Sam

Dancehall at Louse Point

5 Apr

New, free single download

I am so delighted to be able to bring you Dancehall at Louse Point, the first single from my debut solo record Close as a Slow Dance. In Gold Coast parlance – I’m stoked as! No, it wasn’t named for the PJ Harvey/John Parrish album per se, but the song was always called Dancehall and the ‘at Louse Point‘ just seemed so appropriate to the theme of a Fifties dancehall singer trying to get over a louse who broke her heart. Please have this free Bandcamp download to help me celebrate the record.

Single launch

Tonight, I play the Berlin launch show at Laika (Emser Str 131, Neukölln) with another ex-pat Australian, Jason Kenny, who launches his album Fugitive. Doors at 19:30. Music at 20:00. I’m on at 21:00. The after-party is at Bethanien in X-Berg.

Album launches – May the fourth be with you!

I’m doing two Berlin album launches, a club show at Heroes in Neukölln on International Star Wars Day, Friday 4 May AND a special Sofa Salon house concert at my place on my birthday Friday 11 May.

Plus I’m doing house concerts and club gigs across Germany and France through late May and June and a whole heap of Summer gigs. If you would like to host me for a house concert, email waspsummer [aet] gmail dot com