Tag Archives: best-of

Lists: 2013 in Musical Review (Revue?)

30 Dec

Musically, 2013 has been about writing towards a new Wasp Summer album (which we’re thinking of calling Mitropa – listen to some demo tracks)  and booking shows for amazing acts through Sofa Salon and A Headful of Bees. 2014 will definitely be about recording and touring and much, much less about booking for other people.

In regards to concerts, it was a good year. I’ve seen great, moving small-scale shows this year. Look these artists up: Lindsay Phillips, Gillian Grassie, Roland Satterwhite, Elyas Khan, Ben Salter, Liz Stringer, Pinto, Kini Mod, PHIA, Bernhard Eder and Vincent Long, amongst others.

I saw great club, arena or festival shows from Oneida, The Re-Mains, The Knife, Brandt Brauer Frick, Hans Unstern, Andromeda Mega Express Orchestra, Mudhoney and Everything Everything.

So to my list of my favourite songs of 2013, in no particular order, plus five songs that found their home in my head in 2013:
Dancing Suns – Tarnished
Ben Salter – The Prophetess
Dead Sentries – Nowhere is Home
Elyas Khan – Bells
Everything Everything – Cough Cough
FKA Twigs – Papi Pacify
Jimmy Tait – All My Friends
Lindsay Phillips – The Crossing
Neko Case – Where Did I Leave That Fire?
PHIA – Do You Ever?

Ainslie Wills – Fighting Kind
Brandt Brauer Frick – Skiffle It Up
HAIM  – Forever
Kat Frankie – Please Don’t Give Me What I Want
Jens Friebe – Neues Gesicht

Happy listening and a Guten Rutsch.

Cheers,
Samantha

Music that moved me in 2011- Part Two

8 Jan

Part 2 of my music of 2011.

Brian CampeauReinventing Myself from Mostly Winter Sometimes Spring
I heard Brian’s music for the first time this year. And fell hard for this track in particular. The Sydney-based Canadian is in possession of the most heavenly male voice since Jeff Buckley and the music on this track is somewhat akin to the pastoral folk of Fleet Foxes but with more emotionally pointed lyrical content. He plays with Elana Stone in The Rescue Ships – a fantastic pairing.

David Creese – When You Were A Man from When You Were A Man
David is, in my opinion, one of the finest lyricists in Australia, making delicate, minutely observed, dark and often darkly witty vignettes. From behind the drums, David fronted one of my all-time favourite Australian bands, The Dumb Earth. Late in 2010, he released a solo album under his own name and on it, David’s warm, vernacular voice and the exquisite musicians with whom he shares his songs created beautiful and, in places, devastating music.

 

Mute SwimmerSong Against Itself from Mute Swimmer album
Guy’s my favourite songwriter in Berlin at the moment, and he’s got hard competition. During the year, I saw his live performances get more compelling and heard his minimalist folk become a revealing exploration/satire of the process of making music and performing. The songs are intelligent earworms, and he’s a lovely man.


Big Strong Brute
You Were Always Right from We Can Sleep Under Trees in the Morning
Paul played a Sofa Salon club show for me in Berlin and I played an awesome backyard show with him in Brisbane. Both times, I was absolutely taken at how, while you’re lulled by his conversational tone and the songs’ sparse melodic structures, his clever, yearning lyrics sneak up and belt you over the back of the head. This song, from BSB’s 2010 EP reminds me of 90’s RooART compilations. In a good way.

Hans UnsternTief Unter Der Elbe from Kratz Dich Raus
I don’t know much about Hans Unstern. I haven’t seen him live yet, but this song was one of the great Ohrwürmer of my 2011. I’ve been in the Hamburg river tunnel that goes deep under the Elbe and, while it was interesting in the same geeky way as the Rathaus Schöneberg Paternoster (see video below), it wasn’t quite as moving an experience as this lovely song always is.

Music that moved me in 2011, Part One

18 Dec

2011 has been an intense and revealing year personally and politically. Fulfilling my promise to myself, I finally made a solo record and toured Europe this year. Companions on my journey were the intense and revealing visions of women like PJ Harvey (on Let England Shake), Kate Bush’s many voices (on 50 Words for Snow) and Kimbra (Gold Ring from Vows).

But I’ll highlight some of the underground music I’ve been exposed to for the first time in 2011. All of it has given me grist and inspiration. Click on the artist name for their website and the song name for a place you can listen, download and/or buy.

Sailor Days – Species Counterpoint from Sailor Days
Biddy came and played a Sofa Salon in Berlin for me this year, performing with Ned Collette. I had the pleasure of singing Laura Jean‘s vocal parts on three songs. This record is meditative, creatively textured and absolutely beautiful to hear. Probably the underrated album of 2011 for my money and something I hear often on my mental radio.

Jenny Hvalblood fight from Viscera
Jenny, from Oslo, is one of the genuine live-and-breathe explorational musicians, whom I met in Melbourne when she was with Folding For Air/ipanic. On tour, Matty B and I saw her at the Operahuset playing an hypnotic piece she’d composed for a dance performance. She’s moved way beyond sensual experiments in pop to blisteringly original heartsong driven by her inventive guitar and keening voice.

El MadrigalHow Can I Miss You from Statistics
So many songs to choose from on this bitey roots rock record. This year, I had the great pleasure of sharing a stage with El Madrigal twice in Stockholm and seeing them again in Berlin. Ola Karlsson played and wrote with Brisbane’s country rock stalwarts The Gin Club and retains his musical soul, intellect and authenticity here. He’s got an incredible ear as a lyricist, musician and singer and has added two great, empathetic co-writers and musicians in  Eric Lindstrom & Tomas Sundin.

The Unthanks – the Testimony of Patience (from 2009)
This Northumberland folk group inhabit an out-of-time musical space, mining bedrock sounds and stories and bringing them up to us without a hint of dust, fust or the creak of age. The song link is a Guardian video. Their new album celebrates Robert Wyatt and Antony & The Johnsons.

The Gypsy CurseMaydelle from Ten Years North
I spent a weirdly synchronous six weeks over Summer touring Northern Europe with Matty Barker from The Gypsy Curse in his solo guise as Water Music. Introduced online by Mark Steiner, we had both come a long way to be ready to play our music and were rewarded with kindness, time in twenty-two cities, incredible people, astonishing evenings and enough food for our souls to make what followed possible. What followed for him was getting married to the lovely Beth in New York, recording The Gyspy Curse album in a cabin in Sweden and a sabbatical in Texas. They’re playing in Australia now and Europe in 2012. You should really see them.