Tag Archives: band

Inspiration from The Wasp Woman

18 May

On this, Eurovison Final Day, my vegetables and flowers are healthy on the balcony, someone is playing Debussy figures downstairs in the music school and my head is a-whirl with plans.

My friend (and soon to be collaborator in an Alt.Country musical) Jason, found this fantastic movie poster for my birthday. The Wasp Woman is a Roger Corman B-Movie from 1959 about a cosmetics mogul and badass who takes wasp royal jelly serum to become fabulously youthful.
Let’s overlook the gaping scientific flaws in the film’s premise and the thematic rip from The Fly, but when I saw this, I felt fabulously badass too.

It’s good timing because I’m working on the production notes for some new full-band recordings. Next month, we get to test out some cool DDR microphones in a new studio set-up. If the collaboration works, we’ll be making the new WS album as my annual Winter Project.

I often use visual inspiration to help me set the stylistic tone for a new project. The Wasp Woman‘s noir-ish colour scheme, melodrama, feminine force and, of course, the overt wasp theme, is a helpful focus point while I work on the sounds I want on guitar and from Simon’s bass and Stu’s drums.

Storyboard for 'Close as a Slow Dance'My first record, Close as a Slow Dance, was deep pomegranate, black and dusky earthen colours. Perfectly appropriate for the alt.country folk on the disk.

I’ll take down the old album’s collage storyboards on my wall and start making new ones while I work on the sounds I want on guitar and from Simon’s bass and Stu’s drums – more fuzz, more muscle, more groove. You can hear my home demo for new song Burning here to give you an idea.

While the Summer looks incredibly busy, Autumn and Winter are going to be digging-in time writing the rest of the songs that will make up the album, playing more with the band and finally learning more German.
Enjoy the melodrama of Eurovision and hopefully we’ll meet in a smoky basement somewhere and share some new songs.

Cheers,
Sam Wasp Summer

Tonight Lovelite

6 Sep

I have strange feeling this morning. It could be too much Party, as I’ve been frantically sucking all the juice from the remaining warm weather. It could be too little sleep as I’m work on the six Berlin Music Week events I’m involved in, plus helping with Eric Eckhart’s amazing DIT: Do-It-Together project, plus rehearsals, plus trying to find time to write new songs, plus tour booking for December.

It’s those things, but it’s also the feeling I get when I’m about to achieve a goal. A kind of weightlessness and unreality mixed with a heaviness or weariness. The Hanged Man tarot card has been my guide in this recent part of my journey – a suspended state where worldly cares fall away and you have the opportunity to assess your path, hanging between heaven and earth. I’m dangling from that tree, pockets empty, hair streaming down and a small smile on my face. I’m taking in all I have achieved and all the help I’ve had to achieve these things. I’m wondering what to aim for in the future and I have some intriguing, unexpected opportunities before me.

In recording my album ‘Close as a Slow Dance’, and in the last 15 months of touring, I have succeeded in both the major goals I set when coming to Berlin. Tonight I will achieve two more goals – making Wasp Summer a band in which I play guitar and supporting people I really admire in a major music festival showcase.

Two Australian friends of mine in Berlin happen to be great musicians – Stuart Braun, a journo-rock dog and gun drummer and Simon Morrison, a writer and long-standing punk bassplayer. They’ve kindly joined me to make Wasp Summer a three piece and we’ve hammered out some semblance of unity in the last few weeks and given these six songs a band feel. To make it work, I’ve had to radically change my playing from singer-songwriter strumming to a more minimal style in this short time. Paradoxically, as the sound gets louder, I’ve had to pull my vocals back, condense them, to keep the songs powerful in this new context. But I hear what I need to do. I worried I wouldn’t know how to do this stuff. But I do.

Tonight, we debut the band at Berlin Music Week, in a showcase with some of my favourite Berlin musicians and people. I have had some press, my Sofa Salon concerts have sold out, the hard work has paid off. Tonight, I crank up the overdrive and tell six stories the best way I can with some good friends around me. This is honestly the work I live for. Making music, making events and playing live.

On the weekend, I got an email from Bernard Zuel, head music writer for the Sydney Morning Herald, saying his review of my debut album ran in Friday’s Metro. Here’s the review. It’s really nice.

CLOSE AS A SLOW DANCE (A Headful Of Bees/bandcamp.com)
Three and a half stars
An Australian in Berlin makes an album of alt. country in Italy, Switzerland and Argentina. As you do. Those oddities aside, Sam Wareing’s voice has sand in its grooves and her songs have sadness in their bones so that they are both fragile and resilient. Best of all the songs have a rolling certainty to them: they feel good and they feel right whether it is organ and violin laid on neatly, suddenly swelling backing vocals or the right tone to the acoustic guitars. Waiting has whiskey drama, Dancehall At Louse Point rides a big twang and On The Outside Of You aches. It’s more than country rock though as the powerful I Hope You’ll Mend has something of the otherworldly grandeur of Dead Can Dance. – Bernard Zuel

So every time I think that this can’t possibly work, something new comes along to tell me it can. Today, I am grateful for my gifts, my opportunities, my friends and collaborators. I am grateful that the hard work pays off in big or small ways. It’s not taking over the world, but it is making a life on my own terms. Today, every day, I have succeeded.

Thursday 6 2012
Wasp Summer + Eric Eckhart + Nina Hynes + Miss Kenichi + Ken Burke + DJ Lapkat
LOVELITE, Simplonstr. 38, Berlin-Friedrichshain. 20:00. 5€ .

Love,

Sam