Tag Archives: 2013

Lists: 2013 in Musical Review (Revue?)

30 Dec

Musically, 2013 has been about writing towards a new Wasp Summer album (which we’re thinking of calling Mitropa – listen to some demo tracks)  and booking shows for amazing acts through Sofa Salon and A Headful of Bees. 2014 will definitely be about recording and touring and much, much less about booking for other people.

In regards to concerts, it was a good year. I’ve seen great, moving small-scale shows this year. Look these artists up: Lindsay Phillips, Gillian Grassie, Roland Satterwhite, Elyas Khan, Ben Salter, Liz Stringer, Pinto, Kini Mod, PHIA, Bernhard Eder and Vincent Long, amongst others.

I saw great club, arena or festival shows from Oneida, The Re-Mains, The Knife, Brandt Brauer Frick, Hans Unstern, Andromeda Mega Express Orchestra, Mudhoney and Everything Everything.

So to my list of my favourite songs of 2013, in no particular order, plus five songs that found their home in my head in 2013:
Dancing Suns – Tarnished
Ben Salter – The Prophetess
Dead Sentries – Nowhere is Home
Elyas Khan – Bells
Everything Everything – Cough Cough
FKA Twigs – Papi Pacify
Jimmy Tait – All My Friends
Lindsay Phillips – The Crossing
Neko Case – Where Did I Leave That Fire?
PHIA – Do You Ever?

Ainslie Wills – Fighting Kind
Brandt Brauer Frick – Skiffle It Up
HAIM  – Forever
Kat Frankie – Please Don’t Give Me What I Want
Jens Friebe – Neues Gesicht

Happy listening and a Guten Rutsch.

Cheers,
Samantha

Inspiration from The Wasp Woman

18 May

On this, Eurovison Final Day, my vegetables and flowers are healthy on the balcony, someone is playing Debussy figures downstairs in the music school and my head is a-whirl with plans.

My friend (and soon to be collaborator in an Alt.Country musical) Jason, found this fantastic movie poster for my birthday. The Wasp Woman is a Roger Corman B-Movie from 1959 about a cosmetics mogul and badass who takes wasp royal jelly serum to become fabulously youthful.
Let’s overlook the gaping scientific flaws in the film’s premise and the thematic rip from The Fly, but when I saw this, I felt fabulously badass too.

It’s good timing because I’m working on the production notes for some new full-band recordings. Next month, we get to test out some cool DDR microphones in a new studio set-up. If the collaboration works, we’ll be making the new WS album as my annual Winter Project.

I often use visual inspiration to help me set the stylistic tone for a new project. The Wasp Woman‘s noir-ish colour scheme, melodrama, feminine force and, of course, the overt wasp theme, is a helpful focus point while I work on the sounds I want on guitar and from Simon’s bass and Stu’s drums.

Storyboard for 'Close as a Slow Dance'My first record, Close as a Slow Dance, was deep pomegranate, black and dusky earthen colours. Perfectly appropriate for the alt.country folk on the disk.

I’ll take down the old album’s collage storyboards on my wall and start making new ones while I work on the sounds I want on guitar and from Simon’s bass and Stu’s drums – more fuzz, more muscle, more groove. You can hear my home demo for new song Burning here to give you an idea.

While the Summer looks incredibly busy, Autumn and Winter are going to be digging-in time writing the rest of the songs that will make up the album, playing more with the band and finally learning more German.
Enjoy the melodrama of Eurovision and hopefully we’ll meet in a smoky basement somewhere and share some new songs.

Cheers,
Sam Wasp Summer

A new month, new resolutions

1 Feb

February 2013. After a slow January hibernation, I had the sudden morning sense of the months’ temporal velocity. And an ache over how few of my many ideas make it out of my brain or past a coffee and chat with a potential collaborator. I do a lot of things – playing concerts, a house concert series, a new booking agency, friends, longer tours, songwriting, writing, collaborative events – but could I be more effective, more engaged, more organised?

Firstly, the promotional parts of the post: I have concerts coming up and I’m testing new, different material. If you’re in Berlin, I’d love you to come along.

Tuesday 12 February at Das Hotel, Kreuzberg. 21:00. Free entry. Two sets.
Saturday 23 & Sunday 24 February – English Theatre Berlin. BERLIN-KREUZBERG DE. 12:00 – 16:00. 5€. One on One singer-songwriter shows produced by Sofa Salon and Everyone is from Somewhere.
Friday 1 March supporting Bocage at Amiga Club, Treptow. 20:00.
Thursday 11 April with Salon Band at Kugelbahn, Wedding. Salon Band are reinterpreting songs from my ‘Close as a Slow Dance’ album. 20:00.

I am in my cave at 9pm on a Friday night doing up a blog post on organisation, engagement and resolutions.  Honestly, I’m not in much of a bar mood at this time of year. Winter, especially a grey, wet one, is like a damp, heavy St Bernard sitting on the knees of my sociability, so I tend to use Winter to plan, book Summer tours, make lists, found new years’ enterprises and the planning meetings force me out of the house. A useful Winter Blues coping strategy.

Plans for this year include taking guitar lessons to polish up the things I can do and add to my skill set. Take Yoga classes on a weekly basis, but I am yet to leave my cave at 8am in order to do so. Buy a Hagstrom semi-acoustic guitar to boost my live sound. Write new songs for the new band format. Rehearse weekly alone and also with the band. Find a band residency. Promote my shows more effectively. Use my diary everyday. See more songwriters. Get my booking agency’s festival and club lists in some sort of order. Find a writing class. Leave Berlin for reasons other than touring. Get a weekly sauna. See my friends more.

You can see the list is endless. I am an inverterate list-maker after my father, I suppose but, like him, many of those things don’t get done in the intended time. A rehearsal is delayed. I’m behind with the booking. I am as yet Yogaless. ETC.

The problem is that I don’t really know where to go from my position of (limited) success. I think that issue is rather one of goal-setting and prioritising. I came to Berlin with several goals in mind – to make a record, to tour Europe, to create collaborative opportunities, to write better songs, live as a musician. I have achieved all of them, even the living as a musician goal, but it’s still breadline scale. I was told last week that I’m not actually successful. I disagree, but I am aware that I had fairly achievable expectations and it’s not the wider definition of success.

On the day-to-day level, and even with years of organisational experience, I still find myself adding yesterday’s unfinished work to today’s To-Do list without much in the way of prioritising. I still take what’s coming at me rather than looking towards a greater plan. I still feel under-confident when picking up the phone to find work.

How high should I set my goals? Should I am for high expectations and achievable goals or high goals and achievable expectations? But I either work everyday for small money or find some way of raising my value. I can have another year of longish, small-scale tours or invest the year into developing the band project. I can take guitar lessons or refresh my singing training, but not both. Where are the hours in the day to do enough booking, practice, writing, planning and socialising?

If I think about my goals now, in twelve months time, I would like:
– to have become a better guitarist
– to have two sets worth of new material for the band in the direction I am starting to articulate
– to have established a working rhythm, income and reputation for the booking agency
– to live by myself
– to be in a kick-ass live band
– to double my 2012 income
– to utilise my health care and get my teeth worked on
– to holiday to at least one of my dream destinations
– to be well towards confirmed US and Australian tours
– to have a handle on the UK touring market
– to play at at least one music festival
– to have dinner parties more often
– to see more live music
– to develop a promotional strategy
– to develop a business plan or at least a set of goals and logical steps to achieve them. A friend does an annual life contract with himself.

Do you have suggestions for organisation and goal-setting? How do you manage your time and your life? I’d love to start a conversation about this and add helpful strategies to the website.

Cheers,

Sam