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Our Old Oblivion shoebox theatre film clip

4 Jul

Our Old Oblivion (test video 1) from WaspSummer on Vimeo.

After yesterday’s post, I took some test footage of my shoebox theatre using candles for backlighting and Thai ball lights and a bicycle light for front lighting. This is the 2nd edit. I’d appreciate feedback on my experiments and how to do this better.

I have written video treatments for 2.5 songs from my debut album (see sidebar to hear the tracks!) but I have no budget to have a film clip made. When I was a kid, my Dad obtained books where you cut out and glued together your own scale model cardboard theatre and Victorian house. I couldn’t bear to cut the books up, but it stayed in my mind.

When I thought about making this filmclip, Our Old Oblivion, in particular, I thought shoebox theatre format would be easy enough to do and tell the story without being ultra-literal, so I’ve made the set (a dirty, cheap motel) and my cast (the ‘I’ in the song, the ‘he’ in the song and ‘his’ ‘friends’ out of cardboard, gaffa tape, tracing paper, pencil, black card and photocopies.

What do you think? I’d love some feedback on my test clip.

Tour updates #5-#8

31 May

Tour update #8: Yesterday involved a scoop of banana sorbet, two new friends, a 14y.o. Chardonnay/Savagnin blend, a new song, a headful of ideas and a very good band in a very sweaty cellar. Today involves busking and an overnight bus to Brussels. Thank you Strasbourg!

Tour update #7: Slow busking day but I did get a lesson in extracting tourist money from the original Gold Mouth Woman, a wonderful withered Roma Dame who came to me and indicated that I had an OK voice but needed to ‘work it’ more – she sang to me this amazing song of longing and suffering. With her eyes, her voice, she suffered and loved the suffering. She touched her heart and then stretched out the cupped hand as if offering her heart. Then she said, “Shit spot. You need to go by the Cathedral.”

Tour update #6: Wonderful Strasbourg hostess (and skilled whistler) in *fairytale* Petite France district and a profitable busking session today including selling CDs, jamming with local street musicians and pissing off the local busking mafia. Tonight, flinty Alsace Pinot Gris and further wanderings.

Tour update #5: Great show last night in Thionville, but it was so hot my thumb kept sticking to the back of the guitar neck. I started outside, singing on the street and got a hug from the bar owner at the end. Today a festival in Metz and then onto Strasbourg.

Album Launch #1 Wrap-Up

5 May

The album launch last night was lovely! A full room of enthusiastic listeners at Heroes bar in Neukölln. I played well, I think. I felt ‘there’ from the first song. Bliss. And proof I’ve become a competent, if idiosyncratic, guitarist. God I love my capo and ’65 Fender Deluxe pedal. I’ll post some photos in the next few days.

Crammed into the bar’s toilet, Krista Krull from radio show Green Tea Berlin came down and did an “On the Road” interview with me before the show and recorded part of the soundcheck. Efficiently, she edited it down overnight and posted it this morning. Here it is:

And for the many people who commented on the slow-jam version of my album track ‘I’m Going Mining’, here’s a stream of the song:

You and I, we’re as close as a slow dance

3 May

Dearhearts,

I am finally here. At this moment. It feels a little like taking acid because I’ve wanted it so long that it’s become quietly surreal. It’s unimportant why it took so long, just that it’s done. I’m really happy about it.

After a year of dreaming about sounds and visual inspiration, mixing, discussing the artwork on Skype, researching online sales options and various phonecalls to the pressing plant; after failing to find out why GEMA (Germany’s APRA) wants to charge me to make my own record; after all the fun bits – recording in Italy, the photoshoot, the production notes and songwriting, my lovely rootsy songs, products of my work since 2002, are finally in shareable form. I would describe it as Alt.Country Folk and will say that it was inspired by Martha Wainwright, Neko Case, Patsy Cline and Wanda Jackson amongst others.

Tomorrow, my first solo album ‘Close as a Slow Dance’ (through A Headful of Bees) goes live into the world on CD Baby and Bandcamp with pretty digipack CDs to follow next week.

 

Please, have a listen to the album on Soundcloud, share with friends, buy it if you haven’t already pre-ordered (IndieGoGo funders, rejoice – they come, and with it, further gifts!). Curiously, ‘gift’ auf Deutsch means ‘poison’, but no poison here.

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THANK YOUS
There are many, many people to thank for inspiring, working on or funding ‘Close as a Slow Dance’. Some to start, Mark Steiner for the connections and confidence, Henry Hugo for his production, thoughtful arrangements, contacts and generosity, Marcelo and Toto in Buenos Aires for the final sound, Mum for her good wishes, support and rent assistance, Damian Stephens (design), Jan Bechberger (photos) and Elizabeth Delfs (styling) for the lovely artwork you’re seeing, Susanne at Interdisc who shows such care for her clients’ CDs, Sascha, Dam, Justin and Darren for inspiring the songs, Michelle, Nicho, Chez, Naz and Lena – my Council of Ladies who always counsel courage, and those who, knowingly or not, gave a well-timed wise word to inspire this album – David Creese, Julitha Ryan, Sean Simmons and Bron Henderson, Andreas Lautwein, Cameron Wilson, Eric Eckhart, Matthew Barker, Ola Karlsson, Ben Revi, Jen Hval, Sean M. Whelan, Emilie Zoey Baker and Guy Dale. And the musicians who were so kind and surprised me with what the songs could be: Fabio Gallarati, Stefano Caldonazzo, Paolo Zangara, Vicki Brown, Henry Hugo, Leigh Ivin and Julitha Ryan.

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SHOWS
I’m doing two album launches, a club show at Heroes in Neukölln on International Star Wars Day – Friday May the Fourth – and a special Sofa Salon house concert/birthday fest at my place on Friday 11 May. Email berlinsofasalon [aet] gmail.com for reservations.

Plus I’m doing house concerts and club gigs across Germany and France through late May and June and a whole heap of Summer gigs. If you would like to host me for a house concert, email waspsummer [aet] gmail.com. Those folk who bought Skype or House Concerts, I will be in touch in the next week or so.

Links:
Soundcloud (listen)
Bandcamp (buy)
waspsummer.com (info)

Album Launch

13 Apr

Album News

cover art for Close as a Slow Dance

first look at full cover art for Close as a Slow Dance

I just got the artwork for the album back from my wonderful graphic designer, so I’m all set for getting the album pressed into shiny digipacks. There’s a preview. What do you think?

I’ve decided on two Berlin album launches – an intimate club show at Heroes Neukölln (Friedelstraße 49  12047) on International Star Wars Day, May the Fourth (be with you) and a Sofa Salon house concert for my birthday on May the Eleventh. Then I’m out on tour. Check the current dates below.

Please have this free Bandcamp download of debut rockabilly-flavoured single ‘Dancehall at Louse Point’ to help me celebrate the record’s release or just listen to the song.

Tour Dates

Apr 24, 2012 – Berlin, Ber (DE) @ Club der polnischen Versager – ANZAC Eve: Berlinerin Aussies & Kiwis w/ Sandra Serala & Lavender Drake & Kate Camp

Apr 26, 2012 – Berlin, Ber (DE) @ Ufer Cafe – Wasp Summer & Lena Tjäder w/ Lena Tjäder

May 4, 2012 – Berlin, Ber (DE) @ Heroes – Wasp Summer at Heroes

May 11, 2012 – Berlin, Ber (DE) @ Sofa Salon – Wasp Summer Sofa Salon Album Launch and Sam’s Birthday

May 26, 2012 – Thionville, LOR (FR) @ le Nimby – Wasp Summer’s ‘Close as a Slow Dance’ Tour

Jun 6, 2012 – Paris, IDF (FR) @ Pop In – Wasp Summer ‘Close as a Slow Dance’ Tour

Jun 9, 2012 – Blaison-Gohier, PDL (FR) @ Eric’s House – House Concert for Eric’s Birthday

Jun 22, 2012 – Berlin, Ber (DE) @ PANDA Theatre – Berlin COMPASS: Summer Edition

Jun 29, 2012 – Hamburg, Ham (DE) @ Makrele – Wasp Summer ‘Close as a Slow Dance’ Tour

Jun 30, 2012 – Kiel, S-H (DE) @ Gaby’s House – Wasp Summer in Kiel

Dancehall at Louse Point

5 Apr

New, free single download

I am so delighted to be able to bring you Dancehall at Louse Point, the first single from my debut solo record Close as a Slow Dance. In Gold Coast parlance – I’m stoked as! No, it wasn’t named for the PJ Harvey/John Parrish album per se, but the song was always called Dancehall and the ‘at Louse Point‘ just seemed so appropriate to the theme of a Fifties dancehall singer trying to get over a louse who broke her heart. Please have this free Bandcamp download to help me celebrate the record.

Single launch

Tonight, I play the Berlin launch show at Laika (Emser Str 131, Neukölln) with another ex-pat Australian, Jason Kenny, who launches his album Fugitive. Doors at 19:30. Music at 20:00. I’m on at 21:00. The after-party is at Bethanien in X-Berg.

Album launches – May the fourth be with you!

I’m doing two Berlin album launches, a club show at Heroes in Neukölln on International Star Wars Day, Friday 4 May AND a special Sofa Salon house concert at my place on my birthday Friday 11 May.

Plus I’m doing house concerts and club gigs across Germany and France through late May and June and a whole heap of Summer gigs. If you would like to host me for a house concert, email waspsummer [aet] gmail dot com

Pre-Order Thank Yous

20 Jan

Thank You from Wasp SummerThe Campaign

Wow! That was a heartening 55 days. In retrospect, it was probably madness to hold a fundraising campaign across Christmas and New Year, but I’m delighted to say you have helped me reach 62% funding for my project which covers the mixing and mastering costs. I thank you. I admit to being nervous about asking friends, fans, acquaintances and some complete strangers for money, but I was a train station busker for a year. I have no shame. I also figured I was offering a valuable and heartfelt exchange, Wasp Summer’s debut album ‘Close as a Slow Dance’ and the story of its strange and wonderful journey to you.

*Sam has a moment*

My god, I’m 36. I’ve been in bands for a million years. I am just about to send my first solo record into the world! Some of these songs are 10 years old and I’ve discovered I’m an Alt.Country writer, ably abetted by producer Henry Hugo and his vast array of stringed instruments. The album has a loose story-arc and is fairly writhing with dobro, banjo, mandolin, warm 60’s electric pianos and organs, 50’s Gretsch sounds and some lovely reverbs. Also, the comments people made on the funding website were so lovely and supportive, and probably my favourite part of the process. Yes, Willem, I do know where you live, and Aaron, it is new flesh but not in a Videodrome sense. As a kid, I did really want to be Debbie Harry, though.

The Stats

67% of funders came from Australia’s strong economy. 15% came from Germany. The rest of you come from Britain, America, Norway, Denmark, Switzerland and New Zealand. The average donation was $37. As a group, you still love the artifact-in-hand experience of music and you’re not so into digital downloads. Maybe this is because I appeal to a more mature audience? #firstworldproblems

The Story of Los Savonarolas!

This is a story of saying yes. I told Mark Steiner my goal for 2011 was to make a record. He came to Berlin and asked me to play a show. There, I met his friend Henry who liked my music and offered to produce my record. I sent production notes and demos. He organised the band and the location. We set a date. Lots of yes. Gleefully, this entailed two long drives over the Gotthard Pass in the Swiss Alps – brown goats, brown cows with actual cowbells, improbable mountain hut placement. Amazing!

The band tracked via mobile studio over midsummer in a hilarious 5-day session at a house in Castiglione Olona, Italy, which we could use in exchange for feeding the owners’ 15 cats. Fifteen. Cats. I had the pleasure of playing, cooking, drinking and laughing with Fabio (guitars) and Stefano (drums) from Milanese band Guignol, plus Henry, and Paolo (bass) whose house we borrowed. Trying to play bluegrass at 5am is treasured memory. Also, learning to make pasta by hand and Henry’s Van Damme impressions. We dubbed the band Los Savonarolas after a scene in the 1985 Roberto Benigni/Massimo Troisi film Non ci resta che piangere!

 

The vocals and much of the arrangement were completed over two sessions in Zürich, Switzerland in August and September, because I messed up my voice in the first session after all the fun in Italy. Friends such as Vicki Brown in Tuscon, Leigh Ivin in Tamworth, Julitha Ryan in Melbourne and Mark Steiner in Oslo added violin, vocals, pedal steel, cello, organ and guitar parts via email.

The Fulfilment Stage

It’s now at the final mix stage in Buenos Aires and will soon go to the masterer, also in Buenos Aires. Sadly, I don’t get to go to Buenos Aires. In the next week, people who pre-ordered CD packs will get their digital EP download code via email. When I have the final master, people who pre-ordered pre-release digital downloads will get their download codes via email. Hopefully late February.

The CDs will then be made and popped into pretty digipacks in a secret factory somewhere in Europe. Then I’ll send out the signed CDs, scarves, chapbooks and start on the postcards, Skype concerts and one special London house concert. That should be the start of March. I’ll let you know if the production schedule slips behind.

Again, thank you for helping me realise this album. I am blessed to be at this point with an album of good music to share and a Summer of touring to look forward to. I just have to set some bigger goals. I hope to see you in your city in 2012.

Love,

Sam Wareing/Wasp Summer

Music that moved me in 2011- Part Two

8 Jan

Part 2 of my music of 2011.

Brian CampeauReinventing Myself from Mostly Winter Sometimes Spring
I heard Brian’s music for the first time this year. And fell hard for this track in particular. The Sydney-based Canadian is in possession of the most heavenly male voice since Jeff Buckley and the music on this track is somewhat akin to the pastoral folk of Fleet Foxes but with more emotionally pointed lyrical content. He plays with Elana Stone in The Rescue Ships – a fantastic pairing.

David Creese – When You Were A Man from When You Were A Man
David is, in my opinion, one of the finest lyricists in Australia, making delicate, minutely observed, dark and often darkly witty vignettes. From behind the drums, David fronted one of my all-time favourite Australian bands, The Dumb Earth. Late in 2010, he released a solo album under his own name and on it, David’s warm, vernacular voice and the exquisite musicians with whom he shares his songs created beautiful and, in places, devastating music.

 

Mute SwimmerSong Against Itself from Mute Swimmer album
Guy’s my favourite songwriter in Berlin at the moment, and he’s got hard competition. During the year, I saw his live performances get more compelling and heard his minimalist folk become a revealing exploration/satire of the process of making music and performing. The songs are intelligent earworms, and he’s a lovely man.


Big Strong Brute
You Were Always Right from We Can Sleep Under Trees in the Morning
Paul played a Sofa Salon club show for me in Berlin and I played an awesome backyard show with him in Brisbane. Both times, I was absolutely taken at how, while you’re lulled by his conversational tone and the songs’ sparse melodic structures, his clever, yearning lyrics sneak up and belt you over the back of the head. This song, from BSB’s 2010 EP reminds me of 90’s RooART compilations. In a good way.

Hans UnsternTief Unter Der Elbe from Kratz Dich Raus
I don’t know much about Hans Unstern. I haven’t seen him live yet, but this song was one of the great Ohrwürmer of my 2011. I’ve been in the Hamburg river tunnel that goes deep under the Elbe and, while it was interesting in the same geeky way as the Rathaus Schöneberg Paternoster (see video below), it wasn’t quite as moving an experience as this lovely song always is.

Music that moved me in 2011, Part One

18 Dec

2011 has been an intense and revealing year personally and politically. Fulfilling my promise to myself, I finally made a solo record and toured Europe this year. Companions on my journey were the intense and revealing visions of women like PJ Harvey (on Let England Shake), Kate Bush’s many voices (on 50 Words for Snow) and Kimbra (Gold Ring from Vows).

But I’ll highlight some of the underground music I’ve been exposed to for the first time in 2011. All of it has given me grist and inspiration. Click on the artist name for their website and the song name for a place you can listen, download and/or buy.

Sailor Days – Species Counterpoint from Sailor Days
Biddy came and played a Sofa Salon in Berlin for me this year, performing with Ned Collette. I had the pleasure of singing Laura Jean‘s vocal parts on three songs. This record is meditative, creatively textured and absolutely beautiful to hear. Probably the underrated album of 2011 for my money and something I hear often on my mental radio.

Jenny Hvalblood fight from Viscera
Jenny, from Oslo, is one of the genuine live-and-breathe explorational musicians, whom I met in Melbourne when she was with Folding For Air/ipanic. On tour, Matty B and I saw her at the Operahuset playing an hypnotic piece she’d composed for a dance performance. She’s moved way beyond sensual experiments in pop to blisteringly original heartsong driven by her inventive guitar and keening voice.

El MadrigalHow Can I Miss You from Statistics
So many songs to choose from on this bitey roots rock record. This year, I had the great pleasure of sharing a stage with El Madrigal twice in Stockholm and seeing them again in Berlin. Ola Karlsson played and wrote with Brisbane’s country rock stalwarts The Gin Club and retains his musical soul, intellect and authenticity here. He’s got an incredible ear as a lyricist, musician and singer and has added two great, empathetic co-writers and musicians in  Eric Lindstrom & Tomas Sundin.

The Unthanks – the Testimony of Patience (from 2009)
This Northumberland folk group inhabit an out-of-time musical space, mining bedrock sounds and stories and bringing them up to us without a hint of dust, fust or the creak of age. The song link is a Guardian video. Their new album celebrates Robert Wyatt and Antony & The Johnsons.

The Gypsy CurseMaydelle from Ten Years North
I spent a weirdly synchronous six weeks over Summer touring Northern Europe with Matty Barker from The Gypsy Curse in his solo guise as Water Music. Introduced online by Mark Steiner, we had both come a long way to be ready to play our music and were rewarded with kindness, time in twenty-two cities, incredible people, astonishing evenings and enough food for our souls to make what followed possible. What followed for him was getting married to the lovely Beth in New York, recording The Gyspy Curse album in a cabin in Sweden and a sabbatical in Texas. They’re playing in Australia now and Europe in 2012. You should really see them.

Australian Tour Thank You

28 Nov

My great thanks to everyone who made my Australian Tour possible and amazing. Here’s a wrap-up: http://bit.ly/ue1srI